Etched in Darkness

Printing ink, incised marks, carbon on steel Three panels 595 x 758 x 1,5mm (each panel 595 x 250 x 1,5mm) + Dawn sculpture gnawing marks on vax

Biota. Kinetic sculpture, Commissioned by Malmö New Laboratory building, Region Skåne

Expanding - movement ratio 0 – 6500 mm Atrium (0 - 256 in.) Kept alive by light and human presence Atrium

Elementa, (part of the triptych Cura), 2022 Commissioned art installation. Malmö New Laboratory building, Region Skåne BY 57

Installation transcending interior exterior. Carbon dust in between transparent double sided glass 1585 x 1585 mm (62,4 x 62,4 in.)

Notes II

Ink between glass

Dust to Dust 2023 -, serie

Carbon dust in between transparent double-sided glass 1585 x 1585 mm (62,4 x 62,4 in.)

The White Pond, serie 2025

Ink, water, poisonous plant sap on round transparent glass. The White Pond (I), 2025 300 mm diameter x 8 mm

Oblivion blue, Oblivion red. serie 2023

Fragile analogue collages, shards of decay, transferred to pigment print on Kozo paper 110 gr 1050 x 1050 mm (41,3 x 41,3 in.) Ed. 3 + 2 AP. + Delight in Peril I, II, III 2026 Sculpture

Notes I

Ink between glass

Until Hurt, 2023 (serie of 9)

Casted aluminium. 300 - 700 mm x 30 mm (11,8 - 27,7 x 1,18 in.) . Ed. 6 + 2 AP

To Hear with an Eye, 2021

100 m2 (1076 square feet) Sound reactive light installation, Uppsala Cathedral, Sweden. Sound data, water, light, registration needles, cameras, projectors. Supported by The Swedish Art Grants Committee.

Boundaries of the Infinite, Video work / Digital painting / Scenery

Scenic video installation, digital painting in 14 sequences, 60 min Dramaten / The Royal Theater, Main Stage, Stockholm (For The Miraculous) Collaboration Luger and Dramaten &, Sophia Wood

Orchestrated Entities

Light and sound installation Nobel Week light, NWL, Storkyrkan, Stockholm